Can a historical figure like Mary Todd Lincoln be reimagined in a way that challenges our perceptions of her life and legacy? Oh, Mary! is more than just a play; it’s a bold theatrical experiment that dares to explore the forgotten corners of history through humor, pathos, and unflinching honesty. This Broadway production, written and performed by comedian Cole Escola, offers an audacious take on the final weeks of Mary Todd Lincoln's life before her husband's assassination. It portrays her as a cabaret performer grappling with alcoholism, suppressed desires, and unrequited love—a narrative both absurd and deeply human.
The show has garnered five Tony Award nominations, including Best Play, and continues to captivate audiences at the Lyceum Theatre in New York City. Directed by Sam Pinkleton, Oh, Mary! embraces what its creator calls deep stupidity, blending surreal comedy with poignant social commentary. At its core lies the question: How do we honor the complexities of historical figures while acknowledging the gaps in their recorded stories? Through this lens, the play invites viewers to reconsider not only Mary Todd Lincoln but also the conventions of historical storytelling itself.
| Bio Data & Personal Information | Career & Professional Information |
|---|---|
| Name: Cole Escola Date of Birth: July 24, 1983 Place of Birth: Los Angeles, California Education: Attended Emerson College for Theater Studies Personal Life: Known for his work as a comedian, actor, and playwright |
Notable Works: Oh, Mary!, Drag Race (as a guest judge) Awards: Five Tony Award Nominations for Oh, Mary! Profession: Comedian, Playwright, Actor Current Project: Performing in Oh, Mary! at the Lyceum Theatre Reference Link: Playbill Website |
Oh, Mary! stands out as one of the most daring comedies to hit Broadway in recent years. The play's premise—a farcical exploration of Mary Todd Lincoln's inner turmoil—might seem incongruous with traditional depictions of the First Lady. However, under the guidance of director Sam Pinkleton, the production achieves a delicate balance between absurdity and authenticity. By portraying Mary Todd Lincoln as a cabaret singer whose frustrations mirror those of modern women, the play transcends mere parody to offer a sharp critique of societal norms.
Tituss Burgess, who temporarily joined the cast to portray Mary Todd Lincoln, brought additional depth to the role, further cementing the play's reputation as a must-see theatrical event. Burgess's return to the role beginning June 23 added another layer of intrigue, drawing attention from critics and fans alike. His performance highlighted the universality of themes such as loneliness, longing, and self-discovery, making them resonate across time periods.
The setting of the Lyceum Theatre enhances the experience, providing an intimate atmosphere where every laugh and sigh reverberates through the audience. As the lights dim and the curtain rises, spectators are transported into a world where history meets imagination. For eighty minutes, they witness Mary Todd Lincoln's struggles unfold against the backdrop of impending tragedy, leaving them questioning the boundaries between fact and fiction.
What makes Oh, Mary! particularly compelling is its ability to tackle serious issues without losing sight of its comedic roots. Alcoholism, mental health, and societal expectations are woven seamlessly into the fabric of the story, ensuring that laughter never comes at the expense of empathy. In doing so, the play honors the complexity of its subject matter while maintaining its irreverent tone.
Reviews have praised the production for its originality and willingness to challenge conventions. Critics describe it as the stupidest play in the best possible sense—a celebration of absurdity that ultimately reveals profound truths about human nature. Its success underscores the importance of taking risks in art, proving that even the most unconventional ideas can find a place on Broadway if executed with skill and passion.
As Oh, Mary! extends its run through September 28, audiences continue to flock to the Lyceum Theatre, eager to experience this groundbreaking piece of theater. Whether you're a fan of history, comedy, or simply great storytelling, this play promises something for everyone. Through its unique blend of wit, wisdom, and whimsy, Oh, Mary! reminds us that sometimes the most effective way to tell a story is to turn it upside down.
In the end, Oh, Mary! is more than just entertainment—it's a testament to the power of creativity and the enduring appeal of exploring the unknown. By reimagining Mary Todd Lincoln's life through a contemporary lens, the play invites us to see her not as a distant historical figure but as a fully realized individual whose joys and sorrows echo across the ages. And perhaps, in doing so, it encourages us all to embrace the messy, beautiful complexity of being human.
